We're over two weeks now since the release of
Revenge of the Sith, so I'm not sure whether the following litany of complaints can be considered spoilers anymore. After half a month, if you were gung ho to see Episode III, you've seen it and this material is known to you. Otherwise: you've been warned.
This movie has a screw loose from the first crawl:
War! The Republic is crumbling under attacks by the ruthless Sith Lord, Count Dooku. There are heroes on both sides.
Really? Name one "hero" on the side of Dooku, the Sith Lord. It is difficult even to name a living thing allied with Dooku, since most of his warriors are droids.
Not that the battle droids don't have colorful personalities. You might think that a droid purpose-built for war might be short on human characteristics (much as
astromech units lack facility with the spoken word). Well surprise, surprise! Battle droids yell and groan before keeling over. Battle droids scream "My eyes! My eyes!" if oil is sprayed on their optical sensors. Battle droids use throwaway phrases like "Get 'em," "Hey, you!" and "all right." They are also programmed to take the time to say things like "Uh-ohhhhh" when things are hurtling at them, instead of using that time to simply step out of the way. This programming flaw gets two battle droids smashed to bits by a moving elevator.
What's also unclear is why it is necessary for warships of a Droid Army to bother keeping their vessels pressurized. Surely the droids don't need to breathe? Having nine-tenths of the ship in vacuum still leaves a generous amount of space for Count Dooku to do front flips and for
General Grievous to cough up a lung, yet would really cut down the mobility of infiltrating Jedi. Just a thought.
Not that Grievous himself seemed to have much difficulty operating in vacuum. He seemed to do quite well in vacuum, escaping from one ship's bridge to enter again elsewhere on the vessel via a hatch. I don't think I heard him cough once pressurizing or depressurizing.
So far this is pretty much griping from the "miscellaneous" bin.
I said beforehand that I expected bad dialog and giant plot holes, so let's visit that.
Padme: "It's only because I'm so in love!"
Anakin: "No! It's only because I'm so in love with you!"
Oh, barf. Of course, the tragic core of this entire love affair is that the Jedi lack health coverage for domestic partners. This means that Anakin must ally with Sidious and the dark side of the force to access proper pre-natal services. Unfortunately for Anakin, Padme's pregnancy is stealthed: the very day of birthing her
two full-term babies she is barely showing, and is able to
run down her ship's ramp on Mustafar.
Padme is thus is forced to fall back upon the sorry medical care of the Old Republic. This is highly unfortunate, since the medical droid in charge observes:
Medically, she's completely healthy. For reasons we can't explain, we are losing her. We don't know why. She has lost the will to live.
Come to think of it, isn't this exactly what a refitted protocol droid would say? It doesn't know a thing about medicine really, and it's just covering its metal butt. The droid then proceeds to force the dying woman to deliver twins vaginally, rather than by c-section. Malpractice, anyone?
Is it crass for me to bring up
Episode VI at this point?
Luke: "Leia. Do you remember your mother? Your real mother?"
Leia: "Just a bit. She died when I was very young."
Well, we can discount that conversation now. Lucas couldn't be bothered to get the plot pipes to line up. Unless we're meant to understand "when I was very young" to mean "ten minutes old." Sheesh.
Then of course, Yoda's adoption placement for the twins went something like this:
Bail Organa's sitting right here, so let's give him one child. And send the other to that den of bandits and slavers on Tatooine. Specifically, let's have
Vader's stepbrother rear the child. Maybe all's well that ends well, but I don't see the wisdom here.
At least the Leia adoption brought us an opportunity to see
Alderaan briefly. Unlike the standard Lucas mono-environment planet (
ice,
desert,
urban,
lava,
cloud,
swamp,
forest), we see that Alderaan has beautiful mountains, greenery, majestic architecture, lovely lakes, blue skies and white clouds. The downside of this kind of planet is that it's so complex as to confuse the viewer, so it was only natural that Lucas destroyed it at the outset (
Episode IV, 1977).
I haven't seen any reviewer comment on this dialog, but it is unintentionally revealing:
Obi-Wan: "Did you press the 'stop' button?"
Anakin: "No, did you?"
Obi-Wan: "No."
Mind you these are two of the Jedi elite, imbued with peerless sensory and intuitive powers, who were standing side by side in an elevator. Little wonder then that the old Chancellor fellow who was the hub of galactic turmoil and who couldn't seem to stop chatting about the dark side kept humming along undetected.
Jonah Goldberg wrote essays back in
2001 and
2002 in which he attempted to explain what bothered him about
Menace and
Clones. To paraphrase, Goldberg said that what was brilliant about the Star Wars setup was that it was postulated to be "A long time ago, in a galaxy far, far away." It was to be a fully-contained alternate reality, i.e. lacking in connections to and reminders of our own world. Then Goldberg proceeded to give examples of how Lucas littered Episodes I and II with betrayals of that great setup. But Goldberg's utlimate yardstick for franchise betrayal was still an example from a James Bond film (
Octopussy) in which Bond issues a Tarzan yell while swinging from a vine.
Well Goldberg doesn't have to stoop to referencing Bond anymore, since Lucas integrates an unmistakable Tarzan yell into Episode III(*). The yell is issued by two
Wookies on
Kashyyyk, swinging down on vines to board an amphibious attack droid. Besides breaking the mood for about the twentieth time with another inappropriate intrusion of real-world culture, just what the hell were the vines attached to? The droids were making an amphibious landing. Do vines hang from clouds or something on Kashyyyk? And another thing: wasn't this supposed to be the remorselessly-grim, non-crowd-pleasing, not-for-kids, no holds barred, director must tell a dark, tragic story movie? All darkness and death; nope, no levity here!
I'll admit though, not even Vader can suppress the final, clichéd scream of "Nooooooo!" upon contemplating the theater entirely filled with people who just paid six bucks each to sit through all this.
(*) The extra-devoted Star Wars fan might counter here that there was a Tarzan yell in Return of the Jedi as well, but I hardly consider this exculpatory.